Julius Rudel

 

Julius Rudel starb am 27. Juni 2014 – ein Leuchtturm im amerikanischen Opernleben, langjähriger Leiter der New York City Opera und deren Garant für hohe Qualität, Dirigent von außerordentlichem Rang und weit vor James Levine von mitreißender Verde. Er war phantasievoll in seinem Repertoire und Entdecker/Steigbügelhalter für eine Menge von vor allem jungen Sängern, die durch ihn zu Weltruhm gelangten – so Placido Domingo oder Berverly Sills, die ohne ihn ihre komentenhafte Karriere nicht gemacht hätten. Aber er förderte auch eine Legion von exzellenten Mittelklassesängern wie Elaine Bonazzi, Susan Belling und vielen mehr. Mit seinem Tod geht ein weiterer Künstler, der entscheidend das musikalische Gesicht der USA zu einer immensen Identität gewandelt und der durch seine zahlreichen Einspielungen (darunter Mefistofele mit Samuel Ramey bei EMI oder die mehr oder weniger originale Ariadne bei VAI mit der Sills und Saunders) unser Bewusstsein von Oper geprägt hat. Im nachfolgenden ein Auszug aus einem Nachruf bei Naxos. G. H.

Julius Rudel: 1976 mit Beverly Sills/Manon und Dirigentin Sarah Caldwell and der City Opera/The well tempered Ear

Julius Rudel: 1976 mit Beverly Sills/Manon und Dirigentin Sarah Caldwell and der City Opera/The well tempered Ear

 

Julius Rudel

Born in Vienna on 6 March 1921, Julius Rudel received his earliest musical instruction in his native city, where he also pursued advanced study at the Academy of Music. At the age of seventeen he emigrated to the United States and enrolled in the Mannes School of Music in New York. His long association with the New York City Opera began when he joined the company as a rehearsal pianist in 1943. He made his conducting début in 1944 with Johann Strauss’ Gypsy Baron. In 1957 Rudel was appointed Music Director of the City Center Opera, which in time developed into one of the best and most enterprising companies in the United States. In 1979 he left his post at the New York City Opera to extend his symphonic activities in the United States and across Europe. He became music director of the Buffalo Philharmonic, a position he held until 1994, and forged a special link with the Orchestra of St Luke’s, a collaboration which has led to a continuing series of recordings. In addition to his orchestral and opera conducting, Julius Rudel has served as an important musical administrator in a variety of venues. He directed the opening seasons of Washington’s Kennedy Center as its first music director and was also the first music director of the Wolf Trap Festival. Other posts he has held include music directorships of the Cincinnati May Festival, the Caramoor Festival and music adviser to the Opera Company of Philadelphia. He now continues to work with many of the world’s finest opera companies including the Metropolitan in New York, Teatro Colón in Buenos Aires, Lyric Opera of Chicago, Opera Bastille in Paris, Royal Opera in Copenhagen, Berlin’s Deutsche Oper and the Stadttheater in Berne, Switzerland. He has won a Grammy Award and seven Grammy nominations, and his many opera recordings include Massenet’s Manon and Cendrillon, Boito’sMefistofele, Verdi’s Rigoletto, Bellini’s I puritani, Weill’s Silverlake and Last in the Star, Bomarzo, and Handel’s Giulio Cesare, which won the Schwann Award for Best Opera Recording.He has also made several filmed videos with such international artists as Kiri te Kanawa, Eva Marton, and Frederica von Stade. Julius Rudel was made a Chevalier des Arts et Lettres by France and has been decorated by the governments of Austria, Germany, and Israel. He has also received a variety of honorary doctorates from universities and colleges in the United States.

 

Dazu auch: https://de.wikipedia.org/wiki/Julius_Rudel

Foto oben: Julius Rudel: ca. 1970 bei der Probe des NYCO-Orchesters/deceptive cadence/Rudel